curveandbecauseitisbalustraded.its</p>
spaaslonganditsbalustradesnotasusefulasthesteeltrussesofthe</p>
brooklynbridge,butnoonedenythatitsuggestslesshuncleveessand</p>
rebeauty.nsideralsothepagoda,andhothefact</p>
<asuessionofprojegroofs,especiallythoseendlines</p>
thatcurlupheslantingstrokesofeseing.nsideralsothe</p>
peenatpeiping.nothingisre</p>
strikingthanthebolofedhorizontallyacrossthetopon</p>
eaunparalleledinaudacityevenineseart.the</p>
pillarstheelveshaveaaybe,ithappensthat</p>
theintothe</p>
surfapleofnfuciusbear,too,thehe</p>
enthehedragonsbodyhelptobreakthe</p>
straightliive,apartfrotssyolicvalue.</p>
everyofnatureanditate</p>
itsirregularity.thespiritunderlyingitallisstillthespiritofanisncalligraphy.</p>
helinesofboopatte.</p>
onotonyofthe</p>
straightanyshapesasthesllcakesofe</p>
pastry,itatingabananaleaf,orapeaelonorafan.li</p>
liatistandepicure,rodugthebranlaid</p>
itions.theoutliheraight.alongthis</p>
outline,horoduhshapedcarving,togivetheeffectofaliving</p>
branhedacrosstheopartitions,bedpostsand</p>
othertypesoflatticely,theuseofrockeryisprobablytheclearest</p>
exaleofoureffortstointroduanarturethenaturalirregtdarlines</p>
ofnature.</p>
iureanefforttoseekrelief</p>
frhtlihroughsofularitysuggestiveofanilandplant</p>
for.thisleadstoaionoftheuseofsyolisthebat,forinstance,is</p>
verychusedasaderativetive,beurvedapableofso</p>
nyvariationsindesign,butalsobefoodluck,”the</p>
syolisthelanguageofthepritiveandthechildnd.itissothingthatevery</p>
eseanandchildderstand.</p>
butsyolisas,further,thevirtueofntaininghinafeionallines</p>
thethoughtoftheagesandthedreaoftheraaginationand</p>
leadsusintoarealfhought,liketherossorthesoviet</p>
haerandsiousthatwe</p>
inplicityandthen</p>
reachesthetopandlosesitselfinariotofbracketsandidbars,we</p>