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sizeandposition.thisprinalledshift,or”posture,”sabeauty</p>
ofntutheresultisthat,inthehighestexalesofthisart,wehave</p>
strusinglyunbalandyetsohoaintainthe</p>
balanayofrelystatic</p>
proportionsisthediffereanstandingorsittingina</p>
restingpositionandthesnapshotofansick,orofafootball</p>
playersenttheballsthroughtheair.justasthepictureofalady</p>
tossingherheadisresuggestiveofventthanonehherheadonastraight</p>
level,sotheesetersteopstiltedtoonesidearepreferred</p>
artistietricalhead.thebestexalesofthistypeof</p>
struenglung,ers</p>
givetheeffectofbeingalainin</p>
balahisstyleistobeseenintheingsofyu</p>
ylijen,chairnofthentrolyuan,positionverylargelyto</p>
hisrenoofhighorder.</p>
deartisinsearsandexperintingonnesofstructureand</p>
pattes.ithasnotfou.ithassupressiontoesostapparentteristicistheeffort,notto</p>
sootheusbuttojaronoursenses.forthisreason,astudyofesecalligraphyand</p>
itsanistisofthenaturalworldin</p>
thelightofthisanistiicvitality,givesproseofgreat</p>
possibilities.theprofuseusehtlines,planes,arikiher</p>
atdifferentangleslyexciteus,buttheyeverbealivehbeauty.these</p>
plaraightlinesandtohaveexhaustedthede</p>
artistsiy.aiforsoeartistto</p>
strikeapiohbypractisingenglishcalligraphyyears,</p>
andthen,ifheistalentedandreallyuandstheanisticiple,hewillbe</p>
abletoessquare,inlinesandfortrulyhyofthe</p>
naofanart.</p>
thefullsignifialligraphyasthebasisofeseaestheticswillbe</p>
seeninastudyofesepaintingandarture.inthelinesandpositionof</p>
sandstructuresofesearture,weshallbe</p>
abletheprinesecalligraphy.thesebasic</p>
ideasofrhythforndatspheregivethedifferentlinesofeseart,like</p>
poetry,painting,arture,porcelainandhousederations,aialunityof</p>
spirit.</p>
iii.painting</p>
esepainting,thefloure,isdistinguishedbyaspiritandan</p>
atsphereallitso</p>
epoetry.thatdifference</p>