ina,thatthe</p>
inineforsinspirationforthehighestideal</p>
ofperfectrhythelyhappy</p>
iingadragonfly,afrog,agrasshopperorapie</p>
observation,itseethereforethatthespiritoforesensual,re</p>
passionate,refulloftheartistsoore</p>
oreinharnyayexpressthis</p>
differencebyusizslanguageaadsayingthateseartis</p>
apollonianart,ousdifferenceis</p>
possibleonlythroughadifferentuandingandappreassuch.</p>
sofartarsofrhythnhasnotplayedthedonantrok</p>
hasalings.curiouslyenough,thiscultof</p>
rhythrathedevelopntofesecalligraphyasanart.</p>
thestrangepleasurederivedfrotelatingapictureofbarrenrocksdoneina</p>
ferokesandhungontheobelookedatdayinanddayout梩hisstrange</p>
pleasureeuandabletothehehasuoodthe</p>
artistientalistheplaalligraphyin</p>
andrhythractthataysayithas</p>
providedtheesepeoplehabasicaesthetiditisthroughcalligraphythat</p>
the.itistherefore</p>
iossibletotalkaboutesearthoutuandingesecalligraphyand</p>
itsartistispiration.thereis,forinstaoypeofesearture,</p>
ple,onyandforbr></p>
isnotdirectlyderivedfroertaintypesofesecalligraphy.</p>
thepositionofesecalligraphyioryoftheisthustruly</p>
unique.ooresubtleandre</p>
respohanthepen,calligraphyhasbeeedtothetruelevelofanartona</p>
parhesepainting.theesearefullyahisheyregard</p>
paintinganding</p>
alstanindividualh.should</p>
therebeaquestionastoheansedlybe</p>
infavourofcalligraphy.ithasthusbeeanartcultivatedepassion</p>
aion,dignifiedbyasas</p>
paintingitself.itsstandardsarejustasexag,anditsstershavereachedheights</p>
asunattaihenrunofnasthestersinotherlihegreat</p>
esepainters,liketungchigandgfu,areusuallygreat</p>
engfu1inese</p>
painters,saidofhisoing:”rocksarelikethefoipostyleofingh</p>